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Queering Jewish American Culture: Judaic Traditions in Literature, Music, and Art

Jese Leos
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Published in The Passing Game: Queering Jewish American Culture (Judaic Traditions In Literature Music And Art) (Judaic Traditions In Literature Music And Art)
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When one thinks about Jewish American culture, traditional images such as matzah ball soup, synagogue services, and Passover seders might come to mind. However, there is a dynamic and diverse side to Jewish American culture that often goes unnoticed - the queering and reimagining of Jewish traditions in literature, music, and art. In this article, we will explore how Jewish American artists have embraced their identities and reshaped the cultural landscape.

The Intersection of Queerness and Jewish Identity

Queer Jewish individuals find themselves navigating dual identities - not only as members of the LGBTQ+ community but also as participants in Jewish cultural and religious practices. This intersectionality has given rise to a vibrant and inclusive movement that seeks to challenge traditional notions of Judaism and explore new expressions of faith, love, and community. Through literature, music, and art, Jewish American artists are queering their cultural traditions, forging a path that celebrates both their queerness and Jewish heritage.

Judaic Traditions in Literature

One notable aspect of queering Jewish American culture is the reimagining of traditional Jewish texts and stories through a queer lens. Authors like Sarah Schulman, Allen Barnett, and Lev Raphael have explored themes of queerness in their works, shedding light on the intersections of Jewish and LGBTQ+ identities. These writers bring forth characters who grapple with their sexual orientation and gender identity while also remaining deeply rooted in their Jewish faith.

By queering these texts, these authors challenge established norms within Jewish culture and push for a more inclusive understanding of Judaism. They allow readers to see that queerness and Jewishness are not mutually exclusive, but rather can coexist and thrive together.

The inclusion of queerness in Jewish American literature also opens up conversations about social issues such as the AIDS crisis, discrimination, and struggles faced by LGBTQ+ individuals within Jewish communities. This literature acts as a powerful tool for education and empathy, creating a space for dialogue and understanding.

Queering Jewish American Music

In addition to literature, music has been another powerful medium through which Jewish American artists have explored and celebrated their queerness. Musicians like Phranc, whose stage name is a combination of her given name, Susan Cohen, and the word "Frank," challenge traditional gender boundaries by presenting as a genderqueer person. Her music blends Jewish themes with punk rock, creating a unique expression of both her queerness and Jewish identity.

Furthermore, the queer Jewish music scene in America has produced artists such as Mirah and The Shondes, who address queerness and Judaism head-on in their lyrics and performances. By merging Jewish musical traditions with contemporary queer themes, they encourage listeners to explore the complexities of their own identities and transcend binary categorizations.

Queering Jewish American Art

Art has always been a powerful tool for self-expression, and queer Jewish American artists have used their creations to challenge societal norms and redefine Jewish culture. Visual artists like Deborah Kass and A.K. Burns address themes of queerness and Jewishness in their artworks, exploring the nuances of their identities and challenging traditional Jewish iconography.

Through multimedia installations, paintings, and sculptures, these artists deconstruct and reconstruct Jewish symbols, questioning their meanings and reimagining their significance within queer contexts. Their art provokes viewers to question their own preconceived notions of Judaism and encourages them to embrace inclusivity and diversity.

Embracing the Future: The Continued Queering of Jewish American Culture

The queering of Jewish American culture is an ongoing and evolving process. With each new generation, LGBTQ+ individuals are more empowered to express their identities openly, and Jewish institutions are becoming more inclusive and accepting. As Jewish American artists continue to explore the intersections of queerness and Jewishness, they pave the way for a future where these identities can coexist harmoniously.

By queering Jewish American literature, music, and art, these artists are not only reshaping cultural traditions but also challenging societal norms and fostering a greater sense of understanding, empathy, and acceptance. Their work encourages us all to celebrate the rich diversity within Jewish American culture and elevates the voices of queer individuals who have long been marginalized.

So next time you think of Jewish American culture, remember that there is more to it than meets the eye. It is a celebration of the resilience, creativity, and ability to embrace and reinvent the past while envisioning a brighter and more inclusive future.

Tony Kushner’s award-winning epic play Angels in America was remarkable not only for its sensitive engagement of Jewish-American and gay culture but also for bringing these themes to a mainstream audience. While the play represented a watershed in American theater and culture, it belies a hundred years of previous attention to queer Jewish identity in twentieth-century American literature, drama, and film. In The Passing Game, Warren Hoffman sheds light on this long history, taking up both Yiddish and English narratives that explore the tensions among Jewish identity, queer sexuality, performance, and American citizenship.

With fresh insight Hoffman examines the 1907 Yiddish play God of Vengeance by Sholem Asch, the cross-dressing films of Yiddish actress Molly Picon, and several short stories by Isaac Bashevis Singer. He also analyzes the English-language novels The Rise of David Levinsky (Abraham Cahan), Wasteland (Jo Sinclair), and Portnoy’s Complaint (Phillip Roth). Hoffman highlights the ways in which the characters in these canonical texts attempt to "pass" as white, straight, and American in the early and mid-twentieth century. This pioneering work is a welcome contribution to the study of Jewish American literature and culture.

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